MiraNila hosted the MSJO’s homecoming concert—and it was an enchanting evening of memories, music, and many moods
On October 1, 2024, MiraNila Heritage House & Library served as the vivid venue for “Strings of Gold,” an intimate concert that marked the Manila Symphony Junior Orchestra’s (MSJO) triumphant homecoming. The event showcased the remarkable talents of these young musicians, celebrating their return from international acclaim with an audience eager to support them. I was fortunate to have been invited to this concert that drew an enthusiastic audience eager to experience the harmonious blend of music and history in such a unique and stunning setting. Truly, it was more than just a musical event—it was a harmonious blend of history, heritage, and the harmonies of the performing arts; all of which made for an even more enriching experience. The atmosphere was abuzz with vibrant melodies, imbued with the ethereal echoes of the past, reminding us of the integral role that heritage plays in shaping our cultural identity.
Within the walls of MiraNila
Tucked away on a one-hectare parcel along Mariposa Street in the heart of Quezon City, atop one of the area’s highest points, MiraNila Heritage House is a proud monument to Filipino heritage and artistry. Built in 1929, this elegant estate is a grand embodiment of the California Revival Style, which combines Spanish and American architectural elements to create an impressive yet inviting space. Originally constructed as the family residence of the Benitez-Tirona clans, the house has witnessed decades of history, from pre-war affluence to the challenges of World War II, and has served as a refuge for many artists and intellectuals throughout its stately, storied existence.
MiraNila is a trove of treasures and trinkets, each with thousandfold tales of tradition, time, and tide. As I explored the handsome home, on a pre-concert mini-tour, I marveled at the luxurious, exquisite craftsmanship evident in its high ceilings, original hardwood flooring (on account of which we were advised to wear soft-soled shoes), window treatments, and period-appropriate furnishings. The estate is adorned with an impressive collection of artwork by prominent Filipino painters and fascinating curios that tell the story of its inhabitants and their contributions to culture and society. The vast library, boasting over 4,500 books, serves as a repository of knowledge and a testament to the family’s commitment to education and a more refined way of life. Among its many treasures—and what is perhaps the heart of the home—is the rare, newly restored 1904 Steinway Grand Piano, which has not only been a centerpiece for musical gatherings but also a symbol of the family’s dedication to preserving the performing arts.
At some point in the tour, I made my way up a narrow staircase (on which you had to descend sideways) to the uppermost bedroom chamber, which instantly became among my favorite parts of the home. From a bedroom window, perched way above the rest of the house, the Benitez’s daughter, Helena, is said to have shouted “Mira a Manila!” one day in 1932, when she mistakenly thought the city was on fire (in fact, it was the old Ateneo de Manila campus that was ablaze). This moment gave rise to the estate’s charming sobriquet, MiraNila, an endearing connection to the history that permeates every corner of this remarkable residence.
Guided by Petty Benitez-Johannot, a direct descendant of the original inhabitants, we uncovered stories of the estate’s rich past, including its role as a gathering place for artists and musicians who sought inspiration and solace within its walls. The tour was a portent of good things to come—the hefty heritage and ubiquitous charm of MiraNila, oozing from every nook and cranny, added layers of mystique to a magical musical affair.
Music, memories, and many moods
Gallery MiraNila Hall, a newly constructed 315 square meter multipurpose space on the grounds, was the perfect venue for the MSJO’s homecoming performance. Specifically designed for intimate and immersive events, the hall features exceptional acoustic design—ensuring that every note rang true, enveloping the audience in a cocoon of sound. This hall, while a recent addition, harmonizes beautifully with the historical elements of the estate, making it an ideal setting for performances that celebrate both music and heritage.
The MSJO, fresh off their triumphs in Europe, showcased their extraordinary talents in this intimate space. The orchestra, composed of gifted young musicians aged 9 to 26 and expertly conducted by Jeffrey Solares (who is also the executive director of the Manila Symphony Orchestra (MSO) Foundation), dazzled us with their performances, seamlessly blending classical masterpieces with contemporary favorites. They had recently returned from winning the Gold Prize and Grand Prix at the 13th Bratislava International Youth Music Festival, and their passion and energy were palpable. The repertoire was a delightful mix, including stirring pieces from Dvořák, Vivaldi, and even Original Pilipino Music (OPM) pop hits from Ryan Cayabyab and BINI.
I was particularly moved by the youngest members of the orchestra, especially the 9- and 10-year-old female violinists, whose skill and confidence were truly inspiring. Their joy in performing was infectious, lifting the spirits of everyone in attendance. And then there was the MSJO’s rendition of Conrado del Rosario’s “Mahal,” which was so poignant it brought me to tears. The composer himself was present that evening, and during the intermission, he shared with us that he had written the piece about a lost love. The emotional depth in his music resonated deeply with the audience, testifying to the power of music to evoke myriad memories and moods.
A perfectly orchestrated evening
With the final notes still hanging in the air, I found myself filled with a profound appreciation for the sumptuous symphony of music and history that had just played out before us. Honestly, I felt a deep sense of gratitude for the perfectly orchestrated experience. The evening was a reminder not only of the importance of the performing arts, but also of venues like MiraNila; places with a vision of celebrating the arts amidst preserving cultural heritage. I felt grateful, as well, for the people and performers who stand as vanguards of these visions.
I left with a renewed appreciation for history, heritage, and heavenly harmonies—as well as a longing for more of the same.
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